Showing posts with label abstract expressionism. Show all posts
Showing posts with label abstract expressionism. Show all posts

Thursday, 2 October 2014

A Bold Move: Amna Gull

Awareness - breaking free - defying authority - those are the themes emanating from the final Masters thesis by Amna Gull displayed at the National College of Arts, Lahore, in December 2013.
Book


Born and raised in a science-based family, Amna defied the trend by entering the arts.


“I had to go through the same crunch, although I wasn’t good at science, neither did I have any interest in the subject. I was always doodling around the sides of my books and copies.”











Scraping through high school science, helped convince her parents that Amna should be delving in the arts. She started with her Bachelor in Fine Arts at the Lahore College for Women University and it led to a broadening of her artistic palette.


“There I was fascinated not only by the subject but also was inspired by our regular interactions with new upcoming artist and those who were already well-established in the business.”


This series is a part of her Masters in Fine Arts from the National College of Arts (NCA), Lahore.


“At NCA, things were clearer to me, teachers were more co-operative, and we had the liberty to use materials in whatever fashion we desired.”


The regular process of criticism from senior colleagues and the professional/academic jury was constantly shaping her work.

“I was finally getting weaved into the dynamics and the interpretation of art. The phenomenon of self-actualization, and the awareness that your work should speak for itself was a fascinating experience.”





Politically a democracy, the Islamic Republic of Pakistan has religion deeply entrenched in its system. From the strongholds of the religious parties to the on-ground manifestation of religious implements in the form of a strict following of religious traditions, Islam is not just held sacred as a religion, but in most cases as salvation. The tussle between the two figures of authority, religious and non-religious, however, renders the public confused and bending over under the pressures.









Amna’s thesis was based on how lives are influenced by these two authority figures. Her work represents her silent protest against baseless customs, traditions and individual authority in our lives.







“By authority I not only mean political dictation but also the individual figures which hold our lives entirely in their hands,” she says. “They hammer us with their concepts and ideas of life, they impose their dictatorship on our life and in the end we are all but their reflection.”














Sacred Or Not


“The Arabic text and its shadow has been used to show how people misunderstand religion and how we are unable to interpret things because we are bounded and chained in the legality and questioning on religion.”


Speaker


“The speaker is handmade and shows how a person is bent into smooth contours through the influence of a hammering figure.”





As part of her future plans, Amna plans on going into teaching.





“I want to build awareness about arts in our society. Moreover, I am trying to promote my work in various galleries outside and inside the country.”

Thursday, 25 September 2014

A Tale of Golems and Dybbuks: Jess Riva Cooper

Weeds and spores are growing out of women’s hair, eyes, ears and even mouths, as if a new species is being formed. They seem happy with it—or maybe it’s surprise and shock at being invaded by Mother Nature.

Jess Cooper wants to invite the viewer into her world


This isn’t a scene from a science-fiction movie. These are the works of Sheridan faculty member Jess Riva Cooper who is nominated for the 2014 RBC Emerging Artist People’s Choice Award.


“The inspiration behind a lot of my work is looking at invasive plant species and fungal spores and imagining the idea of nature taking over,” Cooper said.



On display till Oct. 12 at the Gardiner Museum in Toronto Viral Series is a five-foot square installation. Cooper is competing with four other artists from around Canada for the $10,000 award, the results of which will be announced on Oct. 14.

“I think what’s really great when you get to display at a place like this is the ability to play,” the 33-year-old said. “You get to build it on-site, there’s a performance aspect that’s really interesting, you’re taking over this space, and you can’t do that in your studio. This way the viewer is enveloped by the idea and people can walk into the world and suspend disbelief.”



A former Sheridan graduate, Cooper returned to Toronto after five years of studying and completing residencies across America. In January 2014, she started teaching in Sheridan’s Crafts and Design program.



Tony Clennell, a former professor and now a colleague of Cooper’s said, “In the first 10 years of your career, I think it’s hard to have your own signature and have your own voice. But I know Jess’ work, it has a signature. It hasn’t come fast and furiously, because she spent 10 years in ceramics schools developing that voice. Ten years is like a PhD.”



Gordon Thompson, co-ordinator of the Bachelor of Craft and Design program, nominated Cooper for the award. Not having taught her during her diploma at Sheridan, Thompson started following her career after an introduction at the Harbourfront artist residency interviews. “Her multi-pronged way makes her work engaging and approachable.”



For Cooper, the nomination was emotionally overwhelming and invigorating. It gave her a chance to establish herself as a ceramics artist after being away from her hometown for five years.

Her last residency with Kohler, a bathroom fixture design and production company helped expand her creative horizons. Returning to Toronto after five years, she was trying to establish myself as an artist and a maker. This nomination has helped bring to the forefront as a Toronto artist.

She takes inspiration from just about everything she sees. Be it science-fiction, other art, literature, folklore, people around her or travelling. Teaching inspires her as well.




“I think ideally one’s work evolves and changes as you live in the world as an artist and grow,” she said. “That love of playing and being open to being inspired by anything influences the way that I teach. I try to be an enthusiastic participant in somebody’s discovery and learn and discover along with them.”



Cooper’s creative process is rigorous and to some it may also appear frantic and frenzied.
“I’m only happy multitasking to levels of what other people might consider insanity,” she said with a smile. “I work best if I’m listening to an audio book, and if there are people around me. Then I can really focus on my work.”



After being inspired, she sketches out her ideas. Then she uses clay to create the item and complete it. At the end, she sits back, critiques her work and shares it with friends who will provide constructive criticism.




If she wins, Cooper will use the $10,000 prize money for bigger studio space, so she can focus on producing more work in future.

Sunday, 22 June 2014

A Little Cause at Heart: Jacob Rolfe

Cat on Bike State



Every now and then we come across art that makes us pause and think. Jacob Rolfe’s work does that while tickling your fancy. Screen-printing artist Rolfe, uses his art to raise his voice about causes close to his heart: mainly the environment.


Farms Feed Cities




His characters may not always be human, but his causes most certainly are.


A Dream (Part III)


“The characters I use are animals; I don’t like using people very much, because animals are more interesting.”


Wheel of Deluded Existence


Deriving encouragement from his family, and with education in political science, Rolfe took a few tertiary classes in printmaking at the Nova Scotia School of Arts and Design.


Interdimensional Birds


“I read a lot of Chomsky, and that may also have influenced my ideas somewhat. I’ve more of an egalitarian-socialist approach. Some of my prints will reflect that. What I was printing right after school wasn’t too overtly political.”


Market Forces


Rolfe starts his creative process by drawing in his sketchbook with a pen, and then transfers it to the computer to clean it up and figure out the colours. Then he uses Photoshop to create a layer that overlaps and works together with the other layers.


Rolfe's Sketchbook


Rolfe’s art inspires change and reflects his optimism about human capability to change.


Whale State XVIII


“I’ve sometimes been interested in how public opinion changes.”


Chemical Structures


Most of his work is a stand-alone piece of art. It sometimes follows the same theme and may become a part of a series, but mostly he works on individual pieces.


Fire Wolf


Sometimes the viewer will see a story in a series of his pictures, but there’s no conscious underlying narrative to them. In general, things are not particularly pre-conceived to fit into a certain theme or series. Rolfe, however, welcomes the viewer’s interpretation of his work and does not wish to force upon them his own ideas. His prints are abstract and can offer a number of interpretations.


Wave and Cloud



“Some people just walk right by and don’t even look at it, but some people will really like it and they will come up to me and let me know of it.”


Cats Pyjamas


Sometimes, he will have an idea that he wants to draw; for instance, the cat on a bicycle.


“Sometimes, ideas are buried in a sketchbook and they never make it to the printmaking stage.”


Whale State XXXVI



Rolfe says his art is not really graphic art, but it’s graphic, and it’s art. Whether graphic art or not, it certainly is head-turning art.

Wednesday, 21 May 2014

Barry Mack on Art and the Artist

Secret Passageway

Zeus Enters Time and Space



Having delved in art all his life, Barry Mack, now an expert in the predominant styles of contemporary painting (abstract expressionism, minimalism, conceptual art and pop) found “Cosmic Consciousness” after years of meditative practices, fasting and studying world religions.


3000 Years


Barry Mack Art 1221



“I began to spontaneously paint in an abstract style, as a metaphor to express what I had experienced as a higher dimension of Reality.”

Ancient City


Barry mack Art 1445



Themes in Mack’s work vary but most often the subject is light.

Another Golden Moment

Barry Mack Art 1451



“I am interested in creating an image conducive to a meditative or thoughtful frame of mind...like a mandala. The goal is to relax, achieve a peaceful, higher state of mind, and then possibly inspiration.”

Approaching Light


Awakening



Mack says his creative process is something that just happens. Keeping his materials close at hand, he tends to dive in whenever inspiration strikes. And when an artist is getting his motivation from everything in life, moments of artistic genius can occur anywhere and at any time.

Barry Mack Art Together 1

Barry Mack Art Together 2



Mack is interested in producing art that reflects his values, quality and values that help us enhance the human experience and develop as human beings. Mack says he is always looking for ways to use his work to grow and improve communication through art. It is a manifestation of his thoughts and feelings, not an attempt at illustrating his ideas. He intends to create thought provoking, interesting and meaningful work.

Barry Mack Art Together 4

Barry Mack Art Together 6



“My fine art has been largely informed by an interest in metaphysical studies. I have reached the conclusion that all Life is interrelated and this idea continues to inspire my artwork. Also, I love natural beauty, which always provides fresh inspiration.”

Bary Mack Art Together 7


Barry Mack Art Together 8


Aside from producing artwork, Mack designs quality books for artists and photographers. He has also produced two books on his own work, the first of which can be seen on his website.


Barry Mack Art Together 9


Barry Mack Art Together 10


Mack says his work intoxicates him and an average workday tends to go by very fast. Despite the fact that being self-employed requires a lot of discipline and focus and he says,

Barry Mack Art 1456b


Embrionica 72x48


“My days are a like walking a tight rope. It's a constant balancing act between the euphoria of freedom and the intense pressure of responsibility. If I fall, there are consequences, so I've always got to stay focused. I think there's a popular myth about being an entrepreneur. In many ways, it is more demanding than having a job. It’s also very very rewarding, exhilarating and lots of fun.”

Energy Dance


Fluid Future



Mack’s personal favorites among artists are Rembrandt and James Turrell because their work embodies the traditional and contemporary life of an artist.

Geology of Wealth


Hidden Door



His advice to all young artists is to find around them those things that inspire and then focusing on the joy emanating from that inspiration, capture it and present it as an artistic visualization.

Hidden Treasure


Moving Through 48x60




To the viewer, Mack says, “You are a co-creator, supporter and collaborator.” He believes the role of the audience is crucial in helping artists thrive and develop their work into a universal bond between the creator and the viewer.



One



Red Guardian

Blog Archive