Chromatic Contrapposto
An art blog documenting contemporary artists and their use of media to create remarkable artwork.
Friday 6 February 2015
Friday 30 January 2015
Thursday 15 January 2015
Thursday 2 October 2014
A Bold Move: Amna Gull
Awareness - breaking free - defying authority - those are the themes emanating from the final Masters thesis by Amna Gull displayed at the National College of Arts, Lahore, in December 2013.
Born and raised in a science-based family, Amna defied the trend by entering the arts.
“I had to go through the same crunch, although I wasn’t good at science, neither did I have any interest in the subject. I was always doodling around the sides of my books and copies.”
Politically a democracy, the Islamic Republic of Pakistan has religion deeply entrenched in its system. From the strongholds of the religious parties to the on-ground manifestation of religious implements in the form of a strict following of religious traditions, Islam is not just held sacred as a religion, but in most cases as salvation. The tussle between the two figures of authority, religious and non-religious, however, renders the public confused and bending over under the pressures.
Amna’s thesis was based on how lives are influenced by these two authority figures. Her work represents her silent protest against baseless customs, traditions and individual authority in our lives.
“By authority I not only mean political dictation but also the individual figures which hold our lives entirely in their hands,” she says. “They hammer us with their concepts and ideas of life, they impose their dictatorship on our life and in the end we are all but their reflection.”
Book |
“I had to go through the same crunch, although I wasn’t good at science, neither did I have any interest in the subject. I was always doodling around the sides of my books and copies.”
Scraping through high school science, helped convince her parents that Amna should be delving in the arts. She started with her Bachelor in Fine Arts at the Lahore College for Women University and it led to a broadening of her artistic palette.
“There I was fascinated not only by the subject but also was inspired by our regular interactions with new upcoming artist and those who were already well-established in the business.”
This series is a part of her Masters in Fine Arts from the National College of Arts (NCA), Lahore.
“At NCA, things were clearer to me, teachers were more co-operative, and we had the liberty to use materials in whatever fashion we desired.”
The regular process of criticism from senior colleagues and the professional/academic jury was constantly shaping her work.
“I was finally getting weaved into the dynamics and the interpretation of art. The phenomenon of self-actualization, and the awareness that your work should speak for itself was a fascinating experience.”
“There I was fascinated not only by the subject but also was inspired by our regular interactions with new upcoming artist and those who were already well-established in the business.”
This series is a part of her Masters in Fine Arts from the National College of Arts (NCA), Lahore.
“At NCA, things were clearer to me, teachers were more co-operative, and we had the liberty to use materials in whatever fashion we desired.”
The regular process of criticism from senior colleagues and the professional/academic jury was constantly shaping her work.
“I was finally getting weaved into the dynamics and the interpretation of art. The phenomenon of self-actualization, and the awareness that your work should speak for itself was a fascinating experience.”
Sacred Or Not |
“The Arabic text and its shadow has been used to show how people misunderstand religion and how we are unable to interpret things because we are bounded and chained in the legality and questioning on religion.”
“The speaker is handmade and shows how a person is bent into smooth contours through the influence of a hammering figure.”
Speaker |
Labels:
abstract expressionism,
art,
crafts,
creative arts,
National College of Arts,
thesis display
Location: Mississauga, ON
Lahore, Pakistan
Thursday 25 September 2014
A Tale of Golems and Dybbuks: Jess Riva Cooper
Weeds and spores are growing out of women’s hair, eyes, ears
and even mouths, as if a new species is being formed. They seem happy with
it—or maybe it’s surprise and shock at being invaded by Mother Nature.
Jess Cooper wants to invite the viewer into her world |
This isn’t a scene from a science-fiction movie. These are
the works of Sheridan faculty member Jess Riva Cooper who is nominated for the
2014 RBC Emerging Artist People’s Choice Award.
“The inspiration behind a lot of my work is looking at
invasive plant species and fungal spores and imagining the idea of nature
taking over,” Cooper said.
On display till Oct. 12 at the Gardiner Museum in Toronto Viral Series is a five-foot square
installation. Cooper is competing with four other artists from around Canada
for the $10,000 award, the results of which will be announced on Oct. 14.
“I think what’s really great when you get to display at a
place like this is the ability to play,” the 33-year-old said. “You get to
build it on-site, there’s a performance aspect that’s really interesting,
you’re taking over this space, and you can’t do that in your studio. This way
the viewer is enveloped by the idea and people can walk into the world and
suspend disbelief.”
A former Sheridan graduate, Cooper returned to Toronto after
five years of studying and completing residencies across America. In January
2014, she started teaching in Sheridan’s Crafts and Design program.
Tony Clennell, a former professor and now a colleague of
Cooper’s said, “In the first 10 years of your career, I think it’s hard to have
your own signature and have your own voice. But I know Jess’ work, it has a signature.
It hasn’t come fast and furiously, because she spent 10 years in ceramics
schools developing that voice. Ten years is like a PhD.”
Gordon Thompson, co-ordinator of the Bachelor of Craft and
Design program, nominated Cooper for the award. Not having taught her during
her diploma at Sheridan, Thompson started following her career after an
introduction at the Harbourfront artist residency interviews. “Her
multi-pronged way makes her work engaging and approachable.”
For Cooper, the nomination was emotionally overwhelming and
invigorating. It gave her a chance to establish herself as a ceramics artist
after being away from her hometown for five years.
Her last residency with Kohler, a bathroom fixture design
and production company helped expand her creative horizons. Returning to
Toronto after five years, she was trying to establish myself as an artist and a
maker. This nomination has helped bring to the forefront as a Toronto artist.
She takes inspiration from just about everything she sees.
Be it science-fiction, other art, literature, folklore, people around her or travelling.
Teaching inspires her as well.
“I think ideally one’s work evolves and changes as you live
in the world as an artist and grow,” she said. “That love of playing and being
open to being inspired by anything influences the way that I teach. I try to be
an enthusiastic participant in somebody’s discovery and learn and discover
along with them.”
Cooper’s creative process is rigorous and to some it may
also appear frantic and frenzied.
“I’m only happy multitasking to levels of what other people
might consider insanity,” she said with a smile. “I work best if I’m listening
to an audio book, and if there are people around me. Then I can really focus on
my work.”
After being inspired, she sketches out her ideas. Then she
uses clay to create the item and complete it. At the end, she sits back,
critiques her work and shares it with friends who will provide constructive
criticism.
If she wins, Cooper will use the $10,000 prize money for bigger studio space, so she can focus on producing more work in future.
Monday 14 July 2014
Explorations of Wonder and Whimsy: Mark Johnson
Mark Johnson
always found it amazing
that lines could flow on paper, but it was frustrating that what he saw in his
head was so different from what went on paper.
“I always liked to have
stories running in my drawings. And my drawings were just like regular
drawings, nothing exceptional. It’s been a slow process where I practised and
practised and am now able to draw like I draw now.”
Myth Becomes Dream These are related works in that they both come from thinking about the drowned lands that sank beneath the waves during the protracted end of the last Ice Age. |
He always had an imagination and believed in putting things down the way he was seeing them.
“I was willing to start with
something that looked clumsy to begin with, but had the determination to work
on it to make it better.”
Around the same time that his drawings got noticed in high school, his parents observed him watching a play with one eye covered. They took him to the doctor and found out that he was near-sighted in one eye and far-sighted in the other: he had anisometropia. This meant that his vision couldn’t combine images from both eyes to present a singular image with depth.
“At that time, when I
started wearing my glasses, I was making art using watercolours that would
border on bizarre kids’ stuff, animals, and creatures. I thought they all
looked kind of cool. I would spend hours sitting down and reading books,
similarly, I would spend hours perfecting the art.”
After college, he took off
a year to travel out west and loved it, but his yearning for Ontario lured him
back to the province.
“And when my factory job
became draining and dehumanizing, I decided to turn back to art. So while still
doing shift work at the factory, I started taking evening classes in art and
indulged myself as much as I could.”
He only turned to art full-time when he met his second wife and moved to Toronto. With her support and encouragement, he figured out how to devote more time to his art.
Mark draws a lot from free
association. And it becomes a sort-of-story.
“Because if I draw two
different creatures in a painting, I have to bring them together. So what I do
is, I lean on storytelling and create an image that projects a whole backstory
that supports it and can also go forward from it.”
He finds drawing figures realistically a very hard thing to do. But he gives it his damndest best.
“I work from my own
imagination because the camera doesn’t do justice to the scene, and it can
produce distortions or take away from the scene as well.”
Sometimes the concept for
his artwork is an intellectual device. And then there are flashes of images of
events happening around him at the time that will capture his
imagination. To Mark, womanhood and the female form is an exceptionally
potent, flexible, and valuable tool to access. It’s an exceptionally powerful,
universal form to look at.
“I don’t want to do it only
because it’s considered cool, but what is the meaning in it? What would people
find relevant in it? And that would concern me. I see it sometimes when people
are playing with their images, and placing one over the other and distorting
it, they may be doing it for some other reasons but, for me, that’s the way I
actually see things.”
Location: Mississauga, ON
Toronto, ON, Canada
Subscribe to:
Posts (Atom)